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The Goodjelly Blog

On How To Be a Great Partner to Your Writing

By Christine Carron

The other day I watched a special episode of Comedians in Cars Getting Coffee from 2015 where Jerry Seinfeld visits with then President Obama in the White House. In the second half of the interview, after Seinfeld cheekily points out that he’s made way more money than...

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On Balls in the Air

By Christine Carron

I’m learning to juggle. I’m about three weeks in. My process, for the most part, has been (a) throw balls into the air, and (b) watch balls fall to the earth. On occasion, my hands interrupt the falling. A joyful squeal may have (okay, totally did) come out of me...

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On Tutu Moments and Rocking Your ZPD

By Christine Carron

In writing, as with anything we do, there’s the desired output and the process we go through to achieve the desired output. Let’s say the desired output is a commercially successful novel, i.e., we want to earn some scratch (gasp!) for our artistic labor. Now, for...

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On Avoiding 1996 British TV Crime Drama Dialogue in Action Scenes

By Christine Carron

I am a sucker for British crime dramas so I feel a tad bit guilty for what I am about to do: dissect a scene from one (that shall remain unnamed) in order to highlight dialogue techniques that are probably best left to the small screen—and retro small screen at...

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On Action Hunks and Narrative Leaps

By Christine Carron

Sometimes I order books and they sit unread for years. Others I inhale immediately. How to Become an Extreme Action Hero by Elizabeth Streb was an inhaler. 

Before proceeding, let’s be clear. I am not an extreme action hero. I once took a boot camp style exercise...

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On Creating Peak Story Moments

By Christine Carron

In The Power of Moments: Why Certain Experiences Have Extraordinary Impact, authors Chip Heath and Dan Heath explore why certain brief experiences jolt us, even transform us—and how we can learn to create such elevated moments in our life and work. 

We writers, of...

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On Cultivating Completion Artistry

By Christine Carron

Thirty pages. Thirty pages to go to get through the rough-cut of this revision I have been working on since October. It’s got me thinking about us writers and how, since writing is such a long game, we are in what can feel like a constant state of longing to complete: ...

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On Hard-Passing the Hoax

By Christine Carron

In college, I applied to be a Resident Assistant (RA). I had to participate in a panel interview—me facing off against three senior RAs. During the interview, we were discussing how much I enjoy dancing. One of the interviewers said, “I can’t dance. I have...

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On Supercharging Your Chapters

By Christine Carron

Many years ago, I attended a session on revision during Grubstreet’s annual Muse and the Marketplace conference led by Ann Hood. A tip I learned in that session remains one of the most practical writing tips I’ve ever received. It was all about what causes flat...

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On Directed Reverie, Stress, and Protecting Your Writerly Headspace

By Christine Carron

The other day, I came across a phrase that I adore: directed reverie. Officially, it’s a therapy technique to help someone release intense emotions. But those two words together struck me as a perfect description of the headspace that helps us writers create...

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On Finding Your Writerly Bee Space

By Christine Carron

Bee space. A distance of three-eighths of an inch, and the amount of space honeybees will leave open in a hive. More than that and they span it with honeycomb. Less than that and they plug the empty space with propolis. It’s sort of like the bee equivalent of...

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On Writer’s Block and Going Full Munificent

By Christine Carron

Today, I looked up writer’s block and found advice proclaiming ten, fifteen, twenty-four, even twenty-seven surefire ways to crush(!), beat(!), pulverize(!), kick-in-the-ass(!) writing block forever! (!!!) (!!!!!!) (!!!!!!!!!!!!!)

Such violent verbs. Such exclamation...

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